Warpaint’s live show was most captivating in the moments when their songs extended beyond album length. Stella Mozgawa smacked her skins with discipline and mastery she is the band’s hidden gem, sitting pretty behind the other three women as well as her gigantic kit. Undeniably captivating, Jenny Lee Lindberg swayed violently with her bass, sporting an army green jumpsuit and a pink half-pony. They moved straight into two tracks from The Fool: “ Composure” and “ Undertow.” Emily Kokal purred along with Wayman – their choral symbiosis was utter perfection. High-pitched feedback spewed from her monitor, but she persevered and her vocals smoothed out – her voice was velvety and soothing by the end of the track. They opened almost immediately with “ Feeling Alright,” Theresa Wayman voice sounding out of tune and disjointed. The four women finally traipsed onstage looking celestial and in control. The crowd was noticeably rowdy for a Tuesday night. Making one’s way toward the front of the stage was a constant brawl, thrusting through very drunk, mildly belligerent, middle-aged men alongside young women dressed to the nine’s in 90’s goth-pop attire. Warpaint had yet to play, but the anticipation was apparent. Girls fixed their lipstick, filled their bar-cups with liquid from hidden flasks, and screamed half-recollected lyrics at the top of their lungs. Inside the women’s washroom, it was nearly impossible to find a spot at the sink. It is in those fleeting moments, as Warpaint’s hometown crowd at the Music Box was reminded on Tuesday, that the foursome’s slow burn becomes a flash fire.The air inside the Corona Theatre was humid and stale the smell of mature beer wafted amongst the crowd in the jam-packed venue. ![]() ![]() Warpaint’s reverb-laden guitars and bass bury their melodies in a thicket of echo, but at certain moments - during Kokal’s eyes-closed pleading on the song “Warpaint” and her plaintive admission in the chorus of “Undertow” - the layers peel away to reveal something saccharine, or at least as sweet as the foursome gets. Her rhythms, counterposed against the ghostly vocals of guitarists Theresa Wayman and Emily Kokal, gave the songs from the quartet’s Rough Trade debut The Fool a supercharged anxiety. Sandwiched between two DJ sets featuring the maverick stylings of Stones Throw Records main man Peanut Butter Wolf, Warpaint’s painterly music would have put the whole theater in a trance were it not for the thunderous underpinning laid down by drummer Stella Mozgawa. “My own friends hate me / But I don’t give a shit,” Williams sang in “Green Eyes,” and no matter whether there’s any truth in that, it was clear from Wavves’ 50-minute set that the frontman cares about delivering the goods. Pope coaxed all manner of toxic noises out of his bass, while Williams wailed and new drummer Cooper abused his kit. When they were playing, though, Wavves’ noisy surf-punk was all serious and sharp-toothed and roaring. “All these songs are about my good friend Stephen,” he said, and later, “This is a song about Stephen’s hair.” For his part, Pope - unruly hair and all - took a timeout mid-set to strike funny rock-star poses for the photographers up front.Īlso Read Warpaint Share Their Interpretation of Gang of Four’s ‘Paralysed’ ![]() spazz-pop outfit the Mae Shi) inherited a stage left smoldering by the pulsing, atmospheric post-rock of Warpaint, who were as cool and detached as Wavves were engaging and smirky.Īrmed with batch of songs that largely celebrate his persona as enfant terrible, Williams kept his trio’s set light-hearted and loud, bantering with a handful of dancing invitees and lobbing barbs at his bassist. The festivities, presented by New Era and RD.io, and stocked with complimentary mike’s HARD PUNCH®, featured a brash headlining set from Wavves, whose midsummer release King of the Beach, combined with thrill-a-minute live shows, made them one of 2010’s breakout bands.įrontman Nathan Williams and his wrecking crew of bassist Stephen Pope (formerly of late punk Jay Reatard’s band) and drummer Jacob Cooper (formerly of the L.A. It was a year when new music sparked and exploded, and SPIN’s Year in Music party on Tuesday night at the Music Box Theatre in Los Angeles served up two of the best newcomers: San Diego surf punks Wavves and L.A.
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